Here's a guy with creativity pumping through his blood, he went on to complete on of his dreams and share ever so fun with the rest.
The Hitchhiker set to got hitchhiking across the USA, taking snapshots of the people he met, to finally put them all in a super fun/creative Time Lapse Video!\
ENJOY!!
and check out his website on http://www.adventuresauce.com/
Now what's your dream?!
@Alexi13
Monday, 26 September 2011
Hitchhiker Snaps
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Sunday, 25 September 2011
Flying Low - British Ariways #FAIL
And yet another embarassed advertiser!
British Airways recently launched a $40m promotion, only to generate an incalculable EPIC #FAIL !!
Turns out the bright minds at their creative agency forgot to remove one crucial element during their CGI work, the evidence of using a RIVAL airplane in the ad promo!!!
The plane used in the promo has been branded with the necessary BA branding, but the airplane tag/code unfortunately slipped through, only to be spotted by a BA engineer's keen eye, almost too late!!
the pic speaks for itself!
Read more: http://www.dailymail.co.uk/news/article-2041597/The-20m-new-BA-promotion-campaign--uses-rival-Virgin-plane.html#ixzz1YzGIQnBf
@Alexi13
British Airways recently launched a $40m promotion, only to generate an incalculable EPIC #FAIL !!
Turns out the bright minds at their creative agency forgot to remove one crucial element during their CGI work, the evidence of using a RIVAL airplane in the ad promo!!!
The plane used in the promo has been branded with the necessary BA branding, but the airplane tag/code unfortunately slipped through, only to be spotted by a BA engineer's keen eye, almost too late!!
the pic speaks for itself!
"BA's advertising agency, BBH, were then called upon to make an emergency edit to ensure the 90-second ad, which charts the history of the company, was corrected.
The offending shot showed a row of three BA Boeing 747s sitting on the tarmac. The closest displays the serial code G-VGAL, the marking for a Virgin Atlantic plane based in Manchester."
Read more: http://www.dailymail.co.uk/news/article-2041597/The-20m-new-BA-promotion-campaign--uses-rival-Virgin-plane.html#ixzz1YzGIQnBf
@Alexi13
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Tuesday, 20 September 2011
New Heights!
Being an adrenaline junkie, I immediately dropped my jaw at the fascinatingly crazy dude in the below pictures!! Russian photography student Marat DUPRI, got his camera 18 months ago, and went on to take insaaaaannne views!! the pics speak for themselves!
@Alexi13
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Sunday, 18 September 2011
A picture, a 1,000 words, a 1,000 secrets
This is one of my favorite paintings, came across it while in school through a history book, and late on in college through a history of art class.
The colors just marry each other so perfectly, the setting is so mystical, and the attention to details in it is insane on so many levels, i will leave the mystery of the painting to be unraveled as per art historian Carola Hicks
The couple Among the foreign merchants living in prosperous 15th-century Bruges were members of the Arnolfini clan from Lucca in Italy. They combined trade with finance and were the first merchant bankers. Argument has flourished over which Arnolfini this is and we will never know for sure. The best guess is that it is Giovanni di Nicolao Arnolfini, who married Costanza Trenta in 1426.
The pregnancy? Giovanni and Costanza had no recorded children and Costanza had died by 1433, the year before the portrait was painted. Is this a memorial to Costanza, who might have died in childbirth? Artists liked to pose women in a pregnant stance, whether they were or not, as fertility was an essential quality in a wife. There are other symbols of fertility, from the red bed to the rug – a rare commodity in 15th-century Northern Europe, and associated with a birthing chamber. Also, the figure carved on the chair behind the woman is St Margaret, patron saint of childbirth.
The bed This is what guests would have expected to see in a reception room. It may not have been used for sleeping in, but implied that the master of the house was of sufficiently high status to exhibit such a possession as an adornment.
The pregnancy? Giovanni and Costanza had no recorded children and Costanza had died by 1433, the year before the portrait was painted. Is this a memorial to Costanza, who might have died in childbirth? Artists liked to pose women in a pregnant stance, whether they were or not, as fertility was an essential quality in a wife. There are other symbols of fertility, from the red bed to the rug – a rare commodity in 15th-century Northern Europe, and associated with a birthing chamber. Also, the figure carved on the chair behind the woman is St Margaret, patron saint of childbirth.
The bed This is what guests would have expected to see in a reception room. It may not have been used for sleeping in, but implied that the master of the house was of sufficiently high status to exhibit such a possession as an adornment.
Thee oranges In Bruges, oranges were a rare delicacy imported from the far south. They were prized for their culinary properties, adding zest to sauces that livened up dull Flemish winter fare. The fruit and its blossom were symbols of love and marriage, and doctors recommended that oranges be carried in order to stave off the plague.
The sandals These (lying on the floor) are the one really fashionable element of the woman’s ensemble. Dyed leather was another luxury, with dark tones the hardest to achieve. With the embellishment of the shiny brass studs, these sandals must have been expensive, a status symbol
as prized as Louboutins today.
as prized as Louboutins today.
Their clothes Both wear the products that made Bruges the centre of a trading empire – fur, silk, wool, linen, leather and gold. The wife’s gown has astonishing dimensions – a replica made in 1997 by students from the Wimbledon School of Art required 35 metres of material. It is lined with squirrel fur, perhaps as many as 2,000 skins. The most prestigious fur was sable, reserved for royalty and aristocracy. The husband’s tabard is lined with pine marten – the next best thing – and its plum tones are another statement of wealth, for dark dyes were more expensive to produce.
The beads and the brush The string of amber beads to the left of the mirror is a paternoster – a form of rosary, produced in Bruges. Van Eyck was perhaps advertising a local industry exported by Arnolfini. Beads symbolised female piety and were a standard gift from a man to his bride. The brush, hanging to the right of the mirror, represents the industry and humility of Christ’s mother – suggesting the Flemish tradition of showing biblical characters in modern settings.
The dog This is a brussels griffon, the descendant of a long line of flanders terriers bred to catch rats. The breed reached England in the 19th century and its features are still carefully prescribed by the Kennel Club today.
@Alexi13
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Saturday, 17 September 2011
Gold Dust
Google made a tremendous Google Doodle the other day to celebrate one of the greatest, if not the greatest i believe, performer in the music industry.
Freddie was a bomb on stage, he was a great person, he was a champion!
May he rest in peace for the greatest music he brought and the influence he left in so many artists.
And finally, my favorite song of all times - Bohemian Rhapsody
@Alexi13
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Sunday, 11 September 2011
Digital Ambiguity
Well im not a fan of magic, nor much impressed by it, but this just was magical on a another level, more of intriguing!
Marco's work and the story behind it, offers a new perspective to magic. The integration of one of the most influential inventions turns the magic show into eye candy!!
What do you think!?
@Alexi13
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